martes, 13 de octubre de 2009

THE BACKSTREETBOYS: Gear Up For New Album [New Official Bio]

For more than 16
years, Backstreet Boys have delivered the very finest pop music has to
offer – tightly crafted songs, floor-shaking rhythms, and unmistakable
harmonies. The new “THIS IS US” showcases their preeminent pop mastery
with a collection of indelible tracks that surely rank among their
biggest and best hits. After mastering an organic, more adult
contemporary flavor on 2005’s “NEVER GONE” and 2007’s “UNBREAKABLE,”
the new album sees Nick Carter, Howie Dorough, Brian Littrell, and AJ
McLean revisiting the groundbreaking dance-pop sound that first made
them international superstars. Songs like “PDA” “Bye Bye Love,” and the
RedOne-produced first single, “Straight Through My Heart” are classic
BSB, bursting with big hooks, unforgettable melodies, and high-energy
rhythms that both highlights the group’s classic sound and vision while
also placing it squarely in the here and now.


“This record
here,” says Howie Dorough, “we reached back into what made us who we
are – that’s great pop melodies, great harmonies – and made it current
and relevant.”


“We made a conscious effort to go back to being
ourselves,” notes Brian Littrell. “It’s important for the fans to
remember what was, but it’s also important for them to know where we’re
headed.”


One of the most successful groups in music history,
with countless #1s, record-setting tours, and worldwide sales in excess
of 100 million, Backstreet Boys are also among pop’s most influential.
Turn on the radio and you’re certain to hear massive melodies melded
with Eurodance grooves, a modern pop style inextricably rooted in the
group’s innovative approach.


“When we first started,” says AJ
McLean, “the Euro sound wasn’t really happening yet, but it led to
Britney and ‘N Sync and all those other people that came after us. Now
music is going back in that same direction, with great pop songs that
are just as rhythmic as they are melodic. That’s what and who we are.”


The
“THIS IS US” sessions kicked off in April 2008, while the group – a
quartet since 2006, when founding member Kevin Richardson left to start
a family – was still in the midst of the “UNBREAKABLE” world tour.
Backstreet Boys took a short pause in the itinerary and teamed with
producer Ryan Tedder (of OneRepublic fame) in a Manchester, England
studio to record what would become the album’s closing track, “Undone.”
The Boys were fighting fit from having been on the road and as a
result, the song crackles with the same electricity the group puts out
on stage every night.


“This was the very first time we were
recording while we were touring another record,” Littrell says. “We’ve
always taken a year or so off to really get out of touring mode, but
this time we wanted to try and get that energy from our live show onto
the record.”


Almost immediately upon the tour’s conclusion,
Backstreet Boys resumed recording at L.A.’s Conway Studios – “one of
the most chill places to record,” according to McLean.  To truly put
their own creative stamp on the album, the group personally reached out
to some of their very favorite producers and songwriters, just about
all of whom were thrilled for the chance to work with the Boys.


“We
took it into our own hands to call and develop personal relationships
with all the producers and writers,” explains Nick Carter.  “And for
the most part, they were just as excited to work with us as we were to
work with them.”


One
producer with whom the Boys already had a rapport is the legendary Max
Martin.  The Swedish studio superstar – who was behind the boards for
such BSB classics as “Everybody (Backstreet’s Back),” “I Want It That
Way” “Larger Than Life,” and “Show Me The Meaning Of Being Lonely” –
dined with the group when the “UNBREAKABLE” world tour hit Stockholm
and right away, sensed that their passion for making music was in fact
greater than ever before.


“He
really saw the fire in our eyes,” Littrell says, “like we were young
kids again.  If there was one producer I had to pick to join the
Backstreet Boys, I’d pick Max.  He understands us inside and out.”


Perhaps
it’s something in the water, but Sweden’s current hottest hitmaker,
RedOne, also had a faultless grasp of the Backstreet Boys signature
sound.  One of the most in-demand collaborators in the world, thanks to
his work with Akon, Lady Gaga, and Enrique Iglesias, to name but a few,
the producer was initially too busy to work on “THIS IS US.”  But just
as Backstreet Boys were wrapping up the recording, word arrived that
RedOne had indeed crafted a couple of tracks, one of which marked the
album’s definitive musical moment.


“We
had almost closed the door on the record before it happened,” Dorough
says.  “I’m so glad we didn’t, because RedOne was able to capture the
sound we were looking for, especially on ‘Straight Through My Heart.’ 

It’s this great mixture of Eurodance-meets-our pop/R&B sound, which
is kind of like where we started.”


“It
was exactly what we were looking for,” McLean says of the single, “the
exact all-around sound that was perfect for everything we needed.  It’s
a great song, especially for the fans who want to hear us being us
again.”

At
the same time, Backstreet Boys also opted to stray from their comfort
zone by collaborating with a number of producer/songwriters better
known for their work in other genres.  The one and only T-Pain put his
trademark sound on the sizzling slow jam, “She’s A Dream,” while Claude
Kelly – famed for writing such hits as Britney Spears’ “Circus” and
Kelly Clarkson’s #1 “My Life Would Suck Without You” – paired up with
the team of Soulshock & Karlin (JoJo, Fantasia, Nelly) to produce
two of the album’s hottest tracks, “Bye Bye Love” and “If I Knew Then.”


“We
really wanted to push the envelope with this record,” Dorough says. 
“We wanted to reach out to some writers that people wouldn’t have
expected us to reach out to.”

“Working
with Jim Jonsin or somebody else that people wouldn’t necessarily see
us working with,” Carter says, “that’s just our creative side coming
out.” 


The
collaboration with Jim Jonsin proved one of the album’s most productive
partnerships, yielding three songs including the explosive title
track.  Best known for helming hip-hop hits by T.I., Soulja Boy Tell
Em, and Flo Rida, the Grammy Award-winning producer astounded BSB by
confessing his lifelong affinity for the group’s music.


“It was like, ‘Hold on a second, you’re a fan?,’” Carter laughs.  “’You’re one of the baddest beatmakers right now!’”


Among
the Florida-based Jonsin’s key contributions to “THIS IS US” is
bringing the group back to its own homestate roots with the Miami
Trance-flavored “Helpless.”  Hailed by Carter as “the Don of hip-hop”
for his countless connections, the producer nailed the track by
reaching into his little black book to procure a razor-sharp verse from
yet another Miami-based star.


“We
came into the studio and Jim said, ‘I’ve got a surprise for you,’” Nick
recalls.  “We were like, ‘What do you mean?  No one surprises the
Backstreet Boys.’  But he had sent the track to Miami and had Pitbull
put a verse on it.  We’re all huge fans of Pitbull’s, so it was just
awesome!”


Despite
the smorgasbord of producers and songwriters, “THIS IS US” is
ultimately made a cohesive work by the Boys themselves.  “We’re a vocal
group first,” avows Carter, and the album makes plain how BSB’s purest
artistic stamp comes via the magic of four distinctive singers
performing in tightly knit harmony.  Their unified voices reveal
Backstreet Boys as still in thrall to making the most vital music
imaginable, constantly striving to create influential, unforgettable
pop.

“We
always want to top our past albums,” says Carter.  “That’s always our
objective, to create an album where every song could be a single.”


“Our
goal is always to push ourselves as much as possible,” adds Dorough.
“We’re always working to become better musicians, songwriters, singers.



“We
want to continue to move forward,” promises Littrell.  “We want
Backstreet Boys to keep setting the template and raising the bar.”


With “THIS IS US,” that bar has just been raised a little higher…


http://www.bighassle.com/backstreetboys/

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